The compressor has the capability to compress down the peaks softly and create the clip more dynamic. No quantity of low-frequency EQ after the compressor can accomplish this. Thus, making an ideal adiabatic compressor would call for perfect heat insulation of all areas of the machine.
Line level signals don’t will need to get amplified by means of a preamp. You’ve got to correct the input signal and Threshold together to have the compressor work in the most suitable way and with the correct volume. For stereo usage, the front panel LINK switch gives you the ability to link Channels. Leave these controls at whatever level is suitable for your application. Having this sort of effects loop, there’s typically an effect level control that enables you to dial in the quantity of the effect you would like heard alongside your unaffected signal. Many large snowmaking operations (such as ski resorts) use this kind of compressor.
Threshold is easily the most important element of a compressor. It is used to set the amount of compressing effect on the track. They are already at the correct level. The degree of intensity solely rely on the sound source. Whatever the case, the only times I actually felt that I needed to use the additional gain was when I wished to truly hammer the compressor and a small noise was not a problem.